Celia Farran

  Celia often uses sophisticated “looping” technology to perform duets, trios, and even larger ensembles with herself. Nothing is pre-recorded. She lays down a track then using the looping technology harmonizes with herself — all live and in real time. The result is an amazing listening experience for the audience. 

 Celia has been described as “A cross between an Earthy Enya, Joan Baez, and Tina Fey.” She dishes up the most delicious concoction of the silly and sacred delighting audiences across the globe. Celia is known as the "Everyday Goddess" with rusty red locks and twinkling eyes which cast a spell of enchantment upon her listeners. Celia gifts those in her audience with a warm, deep and resonating experience touching your heart, your skin, your whole being.  

 Celia is originally from Wisconsin & calls Whidbey Island, WA her home. Her most recent (13th) album is titled “KARMA” and she writes and records a song every week for her Patreon Song Club.  No matter how many times you think you’ve seen Celia, you can never predict what she will do and how deeply she can reach into the soul of an audience.  Celia’s range of styles and entertainment is far more than a concert. It is more like a full Cabaret. 

  Celia Farran (celiaonline.com) 

 Harold Sanford Carter III, also known by his stage name Lone Wolf, is a multifaceted artist whose work spans across various creative domains, including pagan writing, pagan songwriting, and pagan musicianship. His contributions to the arts are marked by a deep engagement with pagan culture, which is reflected in his poetry and music. Carter's literary works have been featured in "The Progressive Journal of Human Services," where his poetry delves into themes of recidivism and reform, showcasing his commitment to social issues. Additionally, he has been published in metaphysical periodicals such as "The Green Man," where his piece "Spells and Magick" was particularly well-received in 2011. Harold is also published in The Witch’s Brew Magazine (Circle of Ancient Sisters) with articles about Apollo and the core of contemporary witchcraft. Harold's most recent writing is found in the historic pagan magazine, “The Green Egg”, with his article , “Pagan Media”. Harold is currently working on his book, “How to escape prison with witchcraft”. Carter's involvement with The Maine Prisoners Advocacy Coalition (MPAC) highlights his dedication to advocacy and rights, particularly concerning American prisoners. This engagement with societal concerns is a testament to his belief in the power of art to effect change and raise awareness. Carter's interest in occult topics adds another layer to his artistic persona, infusing his work with a sense of mysticism and a connection to ancient practices. These practices released him from a life of recidivism. “The Lone Wolf” as he is called, got into music when he was in Juvenile detention centers in the state of New Hampshire. During that time, the residents at the Youth Development center would sit in the dayroom area and bang on tables and sing original songs written. The songs were often related to life at juvenile hall. Harold remembers looking in music production magazines, in those days, looking at the recording equipment ads with dreams of pursuing a career in music. After Harold was released from the Youth Development Center at age 17, he has recorded music ever since. Throughout most of the Lone wolf’s life, he has struggled with alcoholism, in turn resulting in him being incarcerated for many years. Unfortunately, this put a halt to any musical plans Harold had. While incarcerated, Harold studied metaphysics, wicca, witchcraft, ceremonial magick, and the occult in excess. 

 Although recidivism haunted Harold for two decades, Harold held on to the faith of wicca. It was with divine intervention from this faith that ultimately set him free from the confines of the razor wire jungle forever. Harold got into esoteric/pagan music naturally because his music has always been a reflection of his life. Mr. Carter enjoys his musical pagan path because it is his way to reflect on the things he learns spiritually. It is also his most powerful repetitional magic. The Lone Wolf comes from an eat, or be eaten culture. The intellectualism of the dungeons of America are very different from the cognitive thinking of people in society. Harold’s most difficult endeavor is releasing this domestication and applying true spiritual enlightenment to his life. Because his music is a reflection of his life, it does come as a hardship. The elders within the pagan community often shine candles to the mapping of his path. In recent days, his alignment to spirit has served him well. Harold is currently an advocate for incarcerated pagans with substance abuse issues. Not as a counselor, per say. He shows the pagan community and to the world that positive change is possible. Harold leads with his actions. This is shown strongly in his music. Demonstrated by his lifestyle. The Lone Wolf holds one axiom close to his heart and it serves him well. It is a teaching taken from Doreen Valiente’s charge of the goddess. It deals with reaching your highest ideals. Mr. Carter took this and ran with it. He strives to be the best version of himself everyday. Harold believes “The Charge of the Goddess” ties many wiccan traditions together. He also believes this particular current set him free. Currently Harold is the host of a podcast called, “The Lone Wolf Show”, with the help of his co-host, Monica Marie Smith (Moonastira) and Patricia Ann Reeves.. They interview pagan elders, esoteric/pagan musicians. He also provides support for incarcerated pagans and those within the community looking for a better life without drugs and alcohol. Overall, Mr. Carter is a multi-genre artist. From hip hop to country, from country to folk, and from folk to R&B and to the far in betweens. His howls will not soon be going away. Harold shows the pagan community at large that positive change is possible. Thus, that is his message 

 His recognition as the Best Male Artist by the International Pagan Music Association (IPMA) in 2022 is a significant milestone, underscoring his influence in the pagan music scene. This accolade from the IPMA not only honors his individual talent but also signifies the growing appreciation for pagan music as a genre. Carter's music, characterized by its lyrical depth and melodic innovation, resonates with audiences seeking a modern interpretation of pagan traditions. Carter's artistic journey is one of continuous exploration and expression. His ability to weave together the strands of activism, spirituality, and musicality creates a rich tapestry that defines his unique contribution to the cultural landscape. As an artist, Harold Sanford Carter III represents a voice that is both ancient and contemporary, echoing the timeless human desire to find meaning and connection through art. His work stands as a bridge between the past and the present, inviting listeners to experience the transformative power of music and poetry rooted in the depths of pagan heritage. For those interested in exploring his work further, Harold currently is the owner of Witchcraft TV.